Caspar Van Wittel

The Dutchman from Rome
(1652/53 - 1736)

Caspar Van Wittel, also known as Gaspare Vanvitelli, or Gaspare degli Occhiali (he used glasses), was born into a Roman Catholic family in Amersfoort, in the Netherlands.

 

As a young artist, after studying painting in Amersfoort, his home town, with Thomas Jansz van Veenendaal for 4 or 5 years and then with the better-known Matthias Withoos, van Wittel moved to the Art World in Rome, and he was first documented in Italy in 1675.

In that time, after the Dutch Golden Age (1588-1672) had ended in the Netherlands, Dutch painters were still involved into the 'Food-Still Life painting' or the 'Genre painting'.

 

 

The country had started joining Protestantism in 1588, so the Catholic 'Religious painting idea' had sort of collapsed, and new tendencies of wall decoration were born.

The new artistic-realistic trends in the 1670s were the 'Still Life + Vanitas painting', with once more the use of skulls and morbid atmospheres, and the 'Trompe l'oeil painting'.

 

 

This was replication of reality at its very best, and maybe van Wittel wasn't so much into this type of artistry, so the 23 years old painter left the Netherlands and established himself in Rome.

Getting to know Rome, in close contact with the Italian scenery, he must have decided to follow his artistic vein for painting landscapes.

 

Caspar van Wittel:  [1715] - The Piazza del Popolo - Rome - Oil on canvas - Private Collection
Caspar van Wittel: [1715] - The Piazza del Popolo - Rome
Oil on canvas - Private Collection - size (HxW): 57x110 cm

Caspar van Wittel: A view of Amersfoort from the Eem river - Drawing - Bodycolor on vellum, traces of red chalk squaring, laid down on panel - Private Collection
Caspar van Wittel: A view of Amersfoort from the Eem river
Drawing - Bodycolor on vellum, traces of red chalk squaring, laid down on panel - Private Collection - size (HxW): 27.5x48 cm

 


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